SEARCH RESULTS FOR: Sippie Wallace
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(Vocals, 1898–1986) Beaulah Thomas was raised in Houston, Texas. From an early age she sang in church and worked with her pianist brother Hersal Thomas. She moved to Chicago in 1923 and recorded for OKeh, creating blues standards such as ‘Up The Country Blues’ and ‘I’m A Mighty Tight Woman’. She moved to Detroit in 1929 and joined ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

1812–65 Irish composer Between 1835, when he emigrated to Tasmania, and 1845, when he appeared in concert in London, Wallace travelled across the globe establishing a considerable reputation as a virtuoso performer on the piano and violin, and initiating a number of fanciful tales of his expeditions that seemed to precede him wherever he went. Once ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Bessie Smith was one of the greatest vocalists of the twentieth century; her emotional delivery and exquisite phrasing has been an influence on instrumentalists as well as innumerable singers, both male and female. Many of her records, including ‘Gimmie a Pigfoot’, ‘Woman’s Trouble Blues’, ‘St. Louis Blues’ and the song that became an anthem of the Great Depression, ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, vocals, b. 1949) During the 1960s, while attending college in Cambridge, Massachussetts, Raitt learned the ropes firsthand from slide masters Son House and Mississippi Fred McDowell. She began appearing on the folk and blues festival circuit in the late 1960s, sometimes encouraging elderly, rediscovered blues legends (such as Sippie Wallace) to join her ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, vocals, 1915–73) Born in Arkansas, Rosetta Nubin was the daughter of a missionary. She had learned to play guitar by the age of six and accompanied her mother at church functions. The family moved to Chicago and Tharpe signed with Decca in 1938. She was essentially a gospel performer, but with Lucky Millinder’s Orchestra (1941–43) she ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

A rollicking, fast piano style characterized by repetitive eighth-note bass figures in the left hand, meshed with sharp, bluesy single-note runs in the right hand, boogie-woogie was an infectious form that had an immediate appeal to dancers. While the left hand remained tied to the task of covering driving bass lines in a kind of ‘automatic pilot’ ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

In the Renaissance, both four- and five-course (eight- or 10-stringed) guitars were played, both of them notably smaller than the modern instrument and with only a shallow waist. In the Baroque period, players seem to have switched over to an instrument with six courses (six or 12 strings), which remains the standard guitar configuration. The instrument at this ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Piano, b. 1957) Raised in Detroit, pianist-composer Allen emerged in New York City with older midwestern avant-gardists such as Lester Bowie and Oliver Lake, and hometown colleagues including saxophonist Kenny Garrett. Her albums feature elusive but lyrical compositions for small ensembles. She toured briefly and recorded Feel The Fire (1993) with singer Betty Carter, and has worked ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Jo-van’-ne Bat-tes’-ta Ve-ot’-te) 1755–1824 Italian violinist and composer The most influential violinist between Giuseppe Tartini (1692–1770) and Paganini, Viotti is considered the founder of modern violin playing. He studied with Gaetano Pugnani and played in the royal chapel orchestra at Turin for five years (in the back desk of the first violins), before going on tour with his teacher. Viotti moved ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Vocals, 1972–97) Born Christopher Wallace in New York, he sold crack to make ends meet which ended up in a jail term. Because of his large size he began rapping under the name of Biggie Smalls and an early demo eventually found its way to Sean Combs, a.k.a. Puff Daddy, who signed him to his ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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